10 February 2012

A bunch of upcoming things. Here. Read 'em if you want. Here. Really.

OK, I swear I'm going to get back to blogging. It's important that I blog. If not to you, then to me.

A little round-up to kick things off:

FEBRUARY 11: WYCHWOOD BARNS FARMER’S MARKET: 100-MILE LITERARY DIET

I’ll be joining Denis De Klerck, publisher of Mansfield Press, as we sit behind a table of Mansfield books and my own books, from about 8 am till 1 pm, at Wychwood Barns (on Wychwood Avenue, just a couple blocks south of St. Clair West). Drop by and say hello, and have a look at some excellent poetry, fiction, and non-fiction! I’ll have copies of my recent chapbook, Cobourg Variations, plus a bunch of other stuff, and over on the Mansfield part of the table you’ll find new books by Lillian Necakov, Carey Toane, Rishma Dunlop, George Bowering, and lots more!


FEBRUARY 12: DRAFT READING SERIES

The next day, I’ll be doing my first public Toronto reading in ages at the Draft Reading Series, at 3 pm at The Only Café, 966 Danforth (at Donlands). I’ll be reading some new fiction, as well as a sneak preview of my forthcoming poetry book. Also on the bill: Ann Elizabeth Carson, Kathryn Mockler, Mark Sampson, and Noreen Shanahan. Admission is by donation, plus you get a free copy of the new issue of the print version of Draft. Hope to see you there!


SOMETIME IN MARCH: POETRY BOOT CAMP

I’m bringing back the ever-popular Poetry Boot Camp, with a few old favourites and a bunch of new writing strategies, and it’ll happen on a Saturday in March and it’ll go from 10 am to 5 pm and it’ll cost $85 and you’ll write at least a dozen poems and it’ll be painless. If you’re interested in taking this workshop, please drop me a note at hunkamooga [at] sympatico [blip] ca. I should have the timing and location details firmed up next week.


AND THEN IN APRIL...

I’ll be launching my new poetry book, You Exist. Details Follow., from Vancouver-based Anvil Press. I’ll let you know where and when. I’ll also be hosting the Mansfield Press launch that month, featuring four new poetry books under my “a stuart ross book” imprint: a debut collection by Jaime Forsythe, as well as a third collection by Alice Burdick, plus new books by beloved poetry vets Nelson Ball and David W. McFadden. Again, you’ll be hearing more from me about that soon.


MEANWHILE, ON THE INTERNET...

You can read three new poems by me on the Maple Tree Literary Supplement site.


AND HERE’S SOMETHING THAT’S ONGOING...

One-on-one Writing Coaching: Do you have a poetry, fiction, or non-fiction manuscript you’re trying to complete? Have you just begun writing? Have you been writing for ages but want give yourself new challenges and workouts? I offer one-on-one writing coaching, in person, over the phone, and via Skype. Single sessions, in which we look at 10 to 15 pages of your work, cost $75. If you pay in advance for five sessions, the cost is $300 (or $60 per session). Drop me a note if you have any questions?

Over and out.

15 January 2012

Donate to Sierra Club Canada in honour of Kathryn Marshall!



After I saw this video, in which "Ethical Oil" spokesperson Kathryn Marshall accused Sierra Club Canada of being a puppet organization, when Ethical Oil itself is clearly backed by conservatives and oilies of all stripes, I decided to make a donation to Sierra Club Canada.

The nice thing is you can make your donation in honour of someone. I made mine in honour of Kathryn Marshall. Her email address is kathryn@ethicaloil.org I did, and I let her know in the comment box how grateful I am that she has brought so much attention to the excellent work that Sierra Club Canada is doing!

Nice term, "Ethical Oil." Sort of like "Humane Torture" or "Gentle War."

Perhaps you'd like to make a donation in honour of Ms Marshall yourself!

Over and out.

01 January 2012

NEW YEAR POEM 2012

MUSIC OR REPAIR

When I wake I am already
halfway to the park,
dressed for the cold. The elms
are trembling, the roads empty.
Cars have been uninvented.

Three birds are assigned to me: two are silent
and one fills the air with noise.
Clouds swoop like dark kites.
Telephone wires quiver and twang.

In the park,
everyone I’ve never seen before
is milling around.
A tuba lies in the crispy grass.
I also see a toy sewing machine.
Opportunities are abundant, but I can’t
decide which — music or repair.
As a result: tension.

(Tension is a good thing sometimes.
For example, you should stick it in art.)
I step carefully through
an expanse of discarded 1’s,
and where park becomes beach
I watch flocks of 2’s,
with their promise of grace,
glide across the frozen lake
toward me.



Stuart Ross
1 January 2012

30 December 2011

10 poetry books from 2011 that flipped me out and one that doesn't exist

I'm not going to claim that I read every damn poetry book that was released in 2011. There are a whole bunch I haven't even dug into yet that might've ended up in this list. There are a whole bunch I have read that just as easily could have been included. And, of course, I'm going to leave out books for which I had editorial responsibility — but you can check out the "a stuart ross book" titles for yourself here at Mansfield Press's snazzy new website.

What follows, then, are 10 perfect-bound books of poetry from 2011 that I'm sure glad were published. They're numbered, but in no particular order.

1. Fall Higher, by Dean Young (Copper Canyon Press)
2. How Long, by Ron Padgett (Coffee House Press)
3. Match, by Helen Guri (Coach House Books)
4. Destroyer and Preserver, by Matthew Rohrer (Wave Books)
5. By Word of Mouth: Poems from the Spanish, 1916–1959, by William Carlos Williams (New Directions)
6. From the Observatory, by Julio Cortázar, translated by Anne McLean (Archipelago Books)
7. The Selected Poems of Ted Berrigan, edited by Alice Notley, Anselm Berrigan, and Edmund Berrigan (University of California Press)
8. You and Three Others Are Approaching a Lake, by Anna Moschovakis (Coffee House Press)
9. Novel, by bill bissett (TalonBooks)
10. Tres, by Roberto Bolaño, translated by Laura Healy (New Directions)

And what's coming up for 2012? I'm not sure what other presses are publishing, but I'm putting four poetry titles through Mansfield this spring that are pretty dreamy. How did I ever get in the position to work with such authors? to help such books into the world? such books that I wish I'd written? (Thank you, Denis De Klerck.)

In This Thin Rain, by Nelson Ball
Holler, by Alice Burdick
Sympathy Loophole, by Jaime Forsythe
What's the Score?, by David W. McFadden

There's another book I'd like to draw your attention to, though:

Oh There You Are, by Larry Fagin (Adventures in Poetry, or perhaps Wave Books, or maybe Coffee House Press, or possibly a resurrected Full Court Press or Siamese Banana Press)
Truth is, this book doesn't exist. Larry Fagin hasn't released a trade collection of poetry since 1978's appropriately titled (as it turns out) I'll Be Seeing You: Poems 1962–1976. But, judging from the generous sampling of his prose poems that appeared in the first issue of The Sienese Shredder back in 2006-07, a new book by Fagin would be pretty damn exciting.

To paraphrase and expand upon Kenneth Patchen, if you say you're a poet, and you expect people to read your poems, you better get out there and buy new poetry books. Even if it means skipping a few precious beers, or even a meal. Because if you don't, then you are a self-absorbed goof. Better yet, buy those books from an independent bookstore. Even if it means paying a bit more. if you absolutely can't afford to buy poetry books, team up with some friends and buy them cooperatively.

Have a good 2012.

Over and out.

02 December 2011

Vancouverama

[This entry is from December 2. I'm a lazy-ass, so just finished writing it now and posted it nearly a month late.]

At the airport in Vancouver, on my way home. Hadn't been here in a couple years, I think, and an invitation from the JCC's Vancouver Jewish Book Festival brought me back.

When I arrived on Monday, headed straight from the airport (on the snazzy new Canada Line rail service) to Mark Laba's place. Mark and I have known each other since we were about four years old. Mark's a literary whiz, and certainly a comedic genius. Why he has only one full-length book (the poetry collection Dummy Spit, from The Mercury Press) is beyond my understanding. So I continued my crusade, bugging the shit outta him to get a MS out there. He didn't seem perturbed. Mark spent about eight years writing an insane, surreal food column for The Vancouver Province. I think the editors finally read it a couple years ago, and then closed down the column, much to the dismay of probably thousands of fans of Mark's brilliant assault on restaurant reviewing.

George Bowering popped by Mark's place to pick up his copies of How I Wrote Certain of My Books, a wonderful addition to the "a stuart ross book" imprint that I put through Mansfield Press. It's George's 101st book. Or as his wife, Jean Baird, puts it, the first of his second hundred books. It was sort of an early birthday present for George, who turned 76 a few days later. George and I found a coffee place not far away and sat and talked about Audie Murphy and Stewart Granger for an hour. Well, cowboy movies in general.



The Festival generously put me up at the Rosedale on Robson, so this was probably my first-ever Vancouver visit where I stayed downtown. Spent several hours Monday wandering between grit and glitter. What a fascinating, weird city. It's also a city that has all sorts of personal resonances for me: the place I met the Pulp Press gang back around 1980: Tom Walmsley, Stephen Osborne, D. M. Fraser, Jon Furberg, and many others. I've also had a lot of writer friends land in Vancouver: Mark, of course, but also Clint Burnham, Brian Dedora (who finally came to his senses and moved back to Toronto this past year), Michael Boyce, and Laura Farina.

Tuesday I met up with Michael Boyce. We always have great conversations. Michael is the author of two novels from Pedlar Press: Monkey and Anderson. It's really pleasurable to have someone to discuss experimental fiction with — and someone who actually creates it. Michael and I met in Toronto in the early 1980s. I published his first work in a great little chapbook called Hit by a Rock. Brief prose pieces by Michael accompanied by line drawings by me. A Proper Tales Press product.

In the evening, I went to a weird Anvil Press launch: for Bob Robertson's Mayan Horror: How to Survive the End of the World in 2012. I hadn't heard of Robertson, who is apparently a CBC Radio personality. He was pretty darn funny. Headed out for some cheap-but-good sushi with Anvil's Brian Kaufman and Karen Green. We talked about publishing, digital books, Mark Laba, and my forthcoming poetry book, You Exist. Details Follow. The new Anvil catalogue has an early cover drawing for the book by Gary Clement, who did the cover for I Cut My Finger back in 2007. It's nice working with Anvil again.

Wednesday was a veritable festival of Clint Burnham, whose new scholarly work, The Only Poetry That Matters: Reading the Kootenay School of Writing, was launch a couple weeks back. Clint and I also share both ECW and Anvil as publishers of our poetry books. The usual great tour of East Hastings and some art galleries with Clint, Chinese lunch at New Town with Clint and his partner, Julie, and a look at the Stan Douglas photo installation over the doors of the new Woodward fancy-arts-centre-gentrification outlet. Oh, and we popped by ArtSpeak, where I scored a few more copies of A City, Some Rain, a beautiful "shared" publication by artist Toni Latour and me.



Headed to the JCC in the evening for my first festival event: a reading/panel with Norm Ravvin, Roberta Rich, and Alexi Zentner, moderated by yamulka-topped academic Alex Hart, who was excellent. We four writers were a pretty eclectic bunch, brought together with little in common except that we'd all just published novels. But that became the interesting challenge of the evening: drawings lines from one of us to another. I got a great response from the audience, with far more laughter (as usual) than I'd expected, and afterwards had a pretty steady stream of buyers of Snowball, Dragonfly, Jew (from which I'd read) looking for signatures.

Just before the reading, I was astonished to see three quasi-cousins of mine waiting in the lobby for the event: Elise, Sandi, and Nanci. It's a seriously rare occurrence to have a relative of mine at one of my readings, so I was pretty thrilled. I get the feeling that what I'm doing is so foreign to my cousins, etc., that they keep their distance. But these three came to the reading, bought my book, and really enjoyed themselves! After the event was over, Clint and I went to an amazing place on Main for some food and drinks.



Thursday morning, I did a reading/Q&A/talk for high school students from King David High, which is just about next door to the JCC. I read a few poems, a quick story, and a chapter or two from SDJ, and the kids were really attentive and had some great questions. This was my second time working with students from King David; hope I'll see them again!

Had a real nice lunch with my cousin Sandi. It's always good to feel like I have family. Because I do. Sandi's daughter is co-owner of the Broom Co. on Granville Island. You want brooms, that's the place to go. Tell her I sent you.

In the afternoon I met up with Laura Farina, great person and wonderful poet, whose 2005 collection from Pedlar Press, This Woman Alphabetical, is dying for a follow-up. And from what I've seen of Laura's new poems, it's gonna be great. After that I hoofed it to the lounge of the Hotel Vancouver to meet with the documentary filmmaker Catrina Longmuir. I met Catrina a couple years back in New Denver, when she and fellow documentarian Moira Simpson were working on Telling the Stories of the Nikkei, a film that ND teacher Terry Taylor, a local marvel, made finally happen.

An evening with Mark Laba at a sort of surreal cook-off event that closed the Jewish Book Festival rounded off the trip.

Pretty eager to get back to Vancouver to launch my forthcoming poetry collection from Anvil Press, You Exist. Details Follow.

Over and out.

14 November 2011

Mansfield Press Fall Launch Party

For those in Toronto, I hope you can join me at the fall launch party for Mansfield Press tonight (Monday, November 14), 7:30 pm, at the Boat, 158 Augusta.

Among the four new releases are three appearing under my imprint, “a stuart ross book” — How I Wrote Certain of My Books, by George Bowering; Hooligans, by Lillian Necakov; and The Crystal Palace, by Carey Toane. The fourth new Mansfield title is Rishma Dunlop’s Lover Through Departure: New and Selected Poems. Necakov, Toane and Dunlop will be on hand to read, and there will be a musical set by my friend, singer-songwriter Ben Walker (who composed and recorded the Orphan’s Song CD, based on my poems), and there will also be a surprise reader. Hint: Wilbur Snowshoe.

I’ve been working with Denis De Klerck of Mansfield Press since 2007, and it’s been one of the most rewarding activities of my 30-something-year immersion in the literary world. In addition to the writers I mentioned above, I’ve been able to help bring into the world new books by Alice Burdick, David W. McFadden, Leigh Nash, Peter Norman, Natasha Nuhanovic, Jim Smith, Robert Earl Stewart, Steve Venright, and Tom Walmsley.

Meanwhile, Mansfield finally has a new website. Mansfield's publisher, Denis De Klerck, has all sorts of neat plans for it. Instead of the static thing it was, this site will frequently change, with new articles, videos, poems, and more added each week.

Oh yeah, and starting next Sunday, I'm touring for a few days with the Mansfield writers. Here are the details:

NOVEMBER 20, 7 PM, MONTREAL

The Mansfield Press Montreal Fall Launch, with readings by Rishma Dunlop (Lover Through Departure: New and Selected Poems), Marko Sijan (Mongrel), Carey Toane (The Crystal Palace). Hosted by Stuart Ross.
CFC
6388, St Hubert (enter through red door and go upstairs)

NOVEMBER 21, 7:30 PM, OTTAWA

The Mansfield Press Ottawa Fall Launch, with readings by Rishma Dunlop (Lover Through Departure: New and Selected Poems), Lillian Necakov (Hooligans), Marko Sijan (Mongrel), Carey Toane (The Crystal Palace). Hosted by Stuart Ross.
Raw Sugar Café
692 Somerset West

NOVEMBER 22, 7:30 PM, KINGSTON

The Mansfield Press Kingston Fall Launch, with readings by Rishma Dunlop (Lover Through Departure: New and Selected Poems), Lillian Necakov (Hooligans), Marko Sijan (Mongrel), Carey Toane (The Crystal Palace). Hosted by Stuart Ross.
The Grad Club
162 Barrie Street (upstairs)


Over and out.

29 October 2011

Review from out west of SDJ

This lovely review comes from the blog of Carrie Mumford. I'm surprised by how many of the reviews actually move me. I mean, partly because I'm giddy that someone liked my book, but also because of insights that may not have occurred to me. For example, Carrie Mumford declares Snowball, Dragonfly, Jew a book about mourning. Although it was written out of mourning, I don't think I'd seen it as a book about that. But it sure makes sense.

Phew! Snowball, Dragonfly, Jew by Stuart Ross is one heavy read. You wouldn’t expect an unassuming little paperback (only 175 pages, and smaller than your average book) to pack such an emotional punch, but this book made my heart heavy. That’s not to say I wouldn’t read it again though; Stuart Ross is a masterful writer and I very much enjoyed his poetic prose.

Here’s a description from the publisher, ECW Press:

Ben is a performance artist about to enter his forties. His father and mother are both dead, and his brother, Jake, is a lousy source of information. So when he begins to struggle with a particularly nagging memory, he doesn’t know where to turn. The memory: the assassination — by his mother — of a prominent neo–Nazi. …

Stuart Ross’s first novel is a blend of suburban realism and out–of–body surrealism. Read more…


To me, Snowball, Dragonfly, Jew is about mourning. Mourning the loss of childhood, mourning the loss of two parents, and mourning the loss of a brother. The book is set in Toronto, and each chapter could almost stand as a short story on its own. Ross weaves these chapters together into an exploration of past where the lines between what really happened and what the narrator remembers are heavily blurred.

Snowball, Dragonfly, Jew has one of the most memorable opening sentences I have ever come across:

“To its surprise, the bullet sailed out of the gun my mother clutched unsteadily in both hands, and a moment later the big man’s yellow hard hat leapt from his thick head, into the air.”

How awesome is that?! Beginning a novel from the perspective of a bullet, especially a bullet that is involved in an incident that haunts the narrator throughout the work, seems brilliant to me.

I’d recommend Snowball, Dragonfly, Jew to anyone interested in serious literary fiction, poetry (it’s very poetic), or a view of a Jewish childhood (fascinating).


Over and out.